Cookie Policy

A ‘cookie’ is a small piece of data sent from a website and stored on the user’s computer by the user’s web browser while the user is browsing. When you visit a site that uses cookies for the first time, a cookie is downloaded onto your computer/mobile device so that the next time you visit that site, your device will remember useful information such as items added in the shopping cart, visited pages or logging in options.

Cookies are widely used in order to make websites work, or to work more efficiently, and our site relies on cookies to optimise user experience and for features and services to function properly.

Most web browsers allow some control to restrict or block cookies through the browser settings, however if you disable cookies you may find this affects your ability to use certain parts of our website or services. For more information about cookies, please visit https://www.aboutcookies.org

Managing cookies in your browser

Use the options in your web browser if you do not wish to receive a cookie or if you wish to set your browser to notify you when you receive a cookie. You can easily delete and manage any cookies that have been installed in the cookie folder of your browser by following the instructions provided by your particular browser manufacturer.

 

If your browser is not listed here, consult the documentation that your particular browser manufacturer provides. You may also consult your mobile device documentation for information on how to disable cookies on your mobile device. If you disable all cookies, you may not be able to take advantage of all the features of this site.

We also use Google Analytics in order to review user behaviour of our site. To provide website visitors more choice on how their data is collected by Google Analytics, Google has developed an Opt-out Browser add-on, which is available by visiting Google Analytics Opt-out Browser Add-on, to enable you to opt out of Google’s programs.

"One of the greatest colourists of her generation."
Eduardo Paolozzi

"Dineen is faithful to the building process but lets her imagination loose on the topmost layers, sometimes weathering them, or using brash artificial colours. Seen en masse, her frescos are breathtaking. Mainly round or square, they are heavy sculptures, with a worn organic feel as if caressed by decades of restless hands. There is a series of exuberant phallic sculptures based on linghams worshipped in Indian temples, lusciously red and green, and there is more than a hint of the female and the erotic in them."
The Guardian

"It’s as if Dineen has fashioned a slab of polished marble out of nothing, the surface is smooth with immense tactile appeal, and into it she incorporates the luminous colours of India. The supple surfaces, the skins and the textures, are the artistic realities of her work."
The Times